A Table of Green Fields: Ten Stories by Guy Davenport PDF

By Guy Davenport

ISBN-10: 0811212513

ISBN-13: 9780811212519

From Library Journal:

"Connoisseurs of paintings, historical past, faith, and literature will enjoy this tremendous selection of ten tales by means of one in all America's such a lot erudite writers. even if the tone is frequently playful, Davenport layers every one tale with various allusions and really vague meanings that maybe basically the main scholarly readers will totally savor. a superb instance is "Meleager,'' within which the sexual play of 2 boys is juxtaposed with descriptions of geometry. one other is "And,'' a snippet (nine paragraphs) of a parable within which Jesus scatters seeds on a river. extra fulfilling are the longer stories, in particular "O Gadjo Niglo,'' a touching love tale informed by means of Eros, and "Gunner and Nikolai,'' with its shock finishing. Male sexuality is the main subject, one the writer offers with gentle yet truly critical rationale. The title--a tale in itself--is taken from Falstaff's death imaginative and prescient, encouraged by way of the twenty third Psalm. It makes a so much becoming image for this most original and ingenious assortment. hugely recommended."

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While Lucretius does not specify a tower, in De rerum natura he created an unforgettable image of the serene temples from which the wise may look down upon the tribulations of the world: sed nil dulcius est bene quam munita tenere edita doctrina sapientum templa serena, despicere unde queas alios passimque videre errare atque viam palantis quaerere vitae. . ) Evidences not of the tower but of the sacred mountain are conspicuous at the beginning of the story of Cupid and Psyche, as related by Apuleius in his second-century novel The Golden Ass {Metamorphoses).

7 (above). Minster of Our Gracious Lady, Ulm. Courtesy of Stadtarchiv Ulm and Tourismuszentrale Ulm. CHAPTER ONE Fig. 8. Frontispiece from Athanasius Kircher, Turns Babel(1679). Courtesy of Department of Rare Books and Special Collections. Princeton University Library. " A few decades later (1588) it was in the tower described so affectionately in his essays that Montaigne meditated. His study, he tells us, is a perfectly round room on the third floor of a tower from which he can overlook the gardens and almost all sections of his house.

It remained for a few poets and thinkers entre deux guerres to bring life and art together in works about towers that were also written in parapeted and stepped towers surviving from the medieval past or sturdy new towers erected as bulwarks against decline and collapse. Yet within these retreats where they sought to preserve the past and from whose stability they could securely contemplate what their contemporary, Oswald Spengler, was diagnosing as the decline of Western civilization, each writer developed a characteristically personal image of the tower that marked his works.

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A Table of Green Fields: Ten Stories by Guy Davenport


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